imageyFX-360

Browser VJ software

No two trackslook the same

Nine layers of light, moving on whatever you are playing, recorded frame by frame to MP4. Load a track and the rig builds a film around it - one that belongs to that track and nothing else.

Open the rig

Demo

Play with sound?

The lead video includes its original track.

Source · internal clock

Out

Five tracks, five films

Same rig every time, nothing art-directed twice - these are what came out. Each one is the app's own recorder writing frames to MP4 with the track muxed in, rather than a screen capture, so nothing stuttered on the way to the file. They start silent; turn the sound on when you are somewhere you can.

Full set All nine channels at once, with Chaos working the panel. This is the clip the ring at the top listens to.
Centre art Artwork held in the hole while the ring changes colour around it.
Lasers Emitters sweeping in time, drawn as real beams rather than sprites.
Grid A sheet of cells behind everything, running its own preset while the ring answers the beat.
Spirograph Harmonograph curves traced live, one continuous line per frame.

Signal

Where the difference comes from

A visualiser playing a preset gives everybody the same video. This one is wired to the track, and every stage downstream inherits what the one before it heard.

Track

Your music, live

A file, a browser tab, or everything the machine is playing.

Analysis

Split into bands

Bass moves geometry, mids move colour, highs sharpen the sheet. Tempo comes out too.

Chaos

Plays the panel

Not a preset cycler - it works the controls themselves on the beat. Sliders move, presets change.

Layers

Nine channels draw

Each takes what it was handed and renders in its own palette, at its own speed.

Out

Written to file

Frame by frame to MP4 at a locked rate, with the track muxed in. On your machine, not ours.

Change the track and every stage after it changes with it. That is why two people running the same rig do not get the same film - and why running yours a second time does not either.

Channels

Nine layers, back to front

This is the order they composite in - feedback at the back, subtitles on top. Each has its own presets, palette and speed, and each can be locked to the beat. Stack all nine, or run one on its own.

Back of the pictureFront

01

Milk

A slow feedback wash under everything else - wide, unhurried, and easy to sit a whole set on.

02

Ring

The circle itself: segments around a hole, with more than ninety presets driving geometry, colour and motion.

03

Spirograph

Harmonograph curves traced live over the ring, with their own weight, glow and trail length.

04

Lasers

Emitters you place by hand, sweeping and fanning in time. Drag them where you want them, or let Chaos play them.

05

Grid

A full-screen field of cells, ninety-odd presets deep, tinting and breaking up everything underneath.

06

Artwork

Your logo or cover art in the hole, held above the additive layers so it stays readable. Sixty emblems ship with it if you would rather pick one.

07

Shapes

Figures drawn as beams rather than fills, so they read as light. Describe a new one and it joins the menu.

08

Text

Five independent word layers, each with its own face, placement, effect and timing.

09

Subtitles

Every word of the lyric up as it is sung. Fix anything misheard, nudge the timing, and it holds for the night.

360One-degree segments
113Circle modes
100Laser rigs
17Curated shows

Performance

Chaos plays the panel. You keep the pins.

Chaos is not a randomise button. It performs the control surface for you - sliders move, presets change, colour and geometry shift, all on the beat. Pin a control and it stays yours. Leave it free and Chaos can play it.

That is also why two runs of the same track are not the same film. The panel is being played, not a preset cycled.

Control surfaceClick a row to pin it

The hole and hue rows drive the ring at the top of the page. Beams is pinned, so Chaos will not touch it.

Tempo

Different motion. Same beat.

Each layer has its own speed, but imageyFX-360 solves them against a shared BPM, so the circle, the lasers and the grid land together even when they are drawing completely different pictures. Pick a Show and the whole rig - colour, geometry, tempo and all nine channels - jumps to a finished look at once.

Hands

Designed to be played.

A drawer of controls down the left edge, and keys for the things you reach for in the dark. Hide the panel, go fullscreen, black out the room. The visuals stay. Press C on this page to hand the ring to Chaos.

SpaceNext
SShuffle
CChaos
AAuto
MMusic
BBlackout
FFullscreen
HHide panel

What it costs

The rig is free. The AI is not.

Everything that draws is free and stays that way. The paid part is the handful of tools that make new material for it.

Free · no account

Everything that draws

Open it and it is running. No download, no plugin, and nothing to sign up to.

  • All nine layers and every preset
  • Sixty emblems, or upload your own
  • Chaos, beat lock and tempo follow
  • Frame-accurate MP4 recording

From $10 a month

Everything that generates

Optional throughout. Nothing in the list above stops working without it.

  • Generate artwork on a transparent ground
  • Describe a shape and add it to the menu
  • Pull lyric subtitles off the track
  • Build grid packs and palettes to order

Questions

The short answers

Do I need to install anything?

No. imageyFX-360 runs in a browser tab. Open it and it is running - there is no download, no plugin and no account for any of the visual side.

How does it react to music?

It analyses live audio - a file you load, a browser tab, or your whole desktop output. The frequency bands are handed to different jobs, so bass moves shape, mids move colour and highs sharpen the grid. Lock the tempo and all nine layers run on the same clock.

Will two runs of the same track look the same?

No, and that is deliberate. Chaos works the control panel itself as the track plays, so the run is a performance rather than a render. Pin anything you want held still and it will be left alone; everything else keeps moving.

Can I record a set?

Yes. It renders frame by frame to MP4 at a locked frame rate, with the track muxed in, so a slow frame costs time instead of quality. The render happens on your own machine and nothing is uploaded.

Can I use my own artwork?

Yes. Drop a PNG with a transparent background into the centre and the rig is built around it. Sixty emblems ship with it if you would rather pick one, and you can keep sixteen of your own.

Is it free?

The visualiser is free and stays that way - every layer, effect, preset, emblem and the recorder. The optional AI tools, which generate artwork, shapes, grid packs and lyric subtitles, are a paid add-on from $10 a month.

What do I need to run it?

A recent Chrome or Edge on a machine with a reasonable GPU. It draws on canvas at whatever size your screen is, so a bigger display asks for more.

Open it. Load a track.

Drive it from an agent

Every control the rig has - all nine layers, the six macros, the punches and each of its two hundred-odd parameters - is on one global in the page. No account, no key, nothing to install. Point Claude or any other agent at the skill file and it will know what to do with them.

Everything runs on your machine. Renders included - a browser can only be handed a file by the person sitting at it, so nothing is uploaded and no agent can send us your music.